A Note From the Author of Forever Plaid

pictured left to right - Steven Edward Green as Jinx, David Sebren as Smudge, Nathan Singer as Frankie, Bobby Abrahamson as Sparky (photo by Rob Storrs)
pictured left to right – Steven Edward Green as Jinx, David Sebren as Smudge, Nathan Singer as Frankie, Bobby Abrahamson as Sparky (photo by Rob Storrs)

When most of us think of the 1950s, we think of rock ‘n’ roll, greasers, hot rods, Elvis, Annette, Fabian, D.A., haircuts and teenage rebellion. But there was a flip side to this era—the side of harmony, innocence and the sincerity of dreams. It is the side that’s been lost in the shuffle of progress. It was a time when most parents and kids listened and danced to the same music; when families partook of the ritual of gathering in front of the TV to watch their favorite variety shows, like the Ed Sullivan show or the Perry Como Show. It was a time when every family worked to fulfill the American Dream.

It was a period when four-part guy groups harmonized their way across the airwaves, jukeboxes and hi-fis of the country.  Throughout the land they would stand at a quartet of microphones, crooning a multitude of chaperoned prom-goers into dreamy romance.

They wore dinner jackets and bow ties (or perhaps cardigans and white bucks). Each move was drilled to precision. Each vocal arrangement soared to stratospheric heights of harmony. This sound crested right before rock ‘n’ roll stole the heartbeat of music across the globe.

During this time, guys across the country banded together to sing in the basement for fun. If things worked out they might be hired to sing at weddings, conventions, proms and country club socials. Inspired by the success of the recording stars, they made plans to zoom into careers of fame and fortune. But the musical taste of the U.S.A. was changing, and the country would not stop to listen to their dreams.

This is the story of such a group—FOREVER PLAID.

Once upon a time, there were four guys (Sparky, Smudge, Jinx and Frankie) who loved to sing. They all met in high school, when they joined the audiovisual club (1956). Discovering they shared an affection for music and entertaining, they go together and dreamed of becoming like their idols—The Four Aces, The Four Lads, The Four Freshmen, The Hi-Los and The Crew Cuts. They rehearsed in the basement of Smudge’s family’s plumbing supply company. It was here they became Forever Plaid—a name that connects the continuation of traditional values of family, home and harmony, although rock ‘n’ roll was racing down the fast lane like a candy apple “vette”, they believed in their music. As their sound developed, they sang at family gatherings, fund-raisers, and eventually graduated to supermarket openings and proms. They had little time for romance or leisure for they supported their fantasy by holding down day jobs—Frankie was in dental supplies, Smudge was in bathroom fixtures, Sparky was in better dresses. They devoted themselves to singing at nights and on weekends. Then, finally, they landed their first big gig at the Airport Hilton cocktail bar—The Fusel Lounge.

February 9, 1964

En route to pick up their custom-made plaid tuxedos, they were slammed broadside by a school bus filled with eager Catholic teens. The teens were on their way to witness the Beatles make their U.S. television debut on the Ed Sullivan Show and miraculously escaped uninjured. The members of Forever Plaid were killed instantly. It is at that moment, when their careers and lives ended, that the story of FOREVER PLAID begins.

Through the Power of Harmony and the Expanding Holes in the Ozone Layer, in conjunction with the positions of the planets and all the astrotechnical stuff, they are allowed to come back to perform the show they never got to do in life.

And having completed their Mission of Harmony, our men in plaid must return to the cosmos. Although they may be gone, through this production their dreams live on forever.

Stuart Ross


forever plaid 2


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Parkway Playhouse, located in the Appalachian town of Burnsville, NC, is a haven of theatre talent. While people come to the mountains to get away, Parkway Playhouse is a natural gathering place to connect. Likewise, we are an extension of traditional mountain talents: singing, dancing, and, foremost, storytelling. By giving rise to energetic new voices and through a wide variety of plays and musicals, we invite our audience into experiences that are thought-provoking, adventurous, and entertaining. Together we reimagine the world in every live performance, creating dynamic conversations that last far beyond the curtain call. This blog is will feature stories, helpful information, insight and features about the performances.

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